New Release: Peaky Blinders: The Immortal Man
- Janelle

- 23 hours ago
- 2 min read
Getting to see Cillian Murphy in that iconic Peaky Blinders suit…is “chef’s kiss.”

So, last we saw Tommy Shelby, he was riding off into the countryside to isolate himself and write a book, leaving the fate of the Peaky Blinders up in the air. Abandoned by his father, Duke, played in this movie by Barry Keoghan, takes over the Peaky Blinders, but in an even more nihilistic manner than Tommy ever did. Where Tommy was always bound or restrained by family, Duke feels rejected by everyone and by society, making decisions that bring an abrupt end to Tommy's semi-peaceful retirement.

What works: Symbolic visuals have always been a strong point in this series. Tommy riding out on a white horse, only to come back on a black one. Also, a great job of mixing in the paranormal with Tommy’s brain, making sure you never forget his gypsy blood. Without spoiling the ending, tying Tommy’s journey from the trenches of WWI to the last part of the movie was one of my favorite scenes. Editing/sound/song choice…these aspects have always been a strong feature in the series.
Another plus for Peaky Blinders: The Immortal Man, for some fans, might be the almost Bond-esque vibe the movie has. A clear villain, a reluctant Bond wanting to get involved, internal drama, and a mysterious woman who shows up, throwing everything into chaos. It has all the markers there that give it a very British feel. However...

What doesn’t work: Normally, you have six hours to marinate, build, and create events where twists and turns could happen. It would allow for deeper moments to be fleshed out and investigated. Now everything is loaded and shotgunned at you in two hours. Again, without spoilers, there is an event that we're not given full insight into, and it seems almost out of character for Tommy Shelby, especially concerning his own family. Normally, he puts family almost above all else, and now you're asked to accept deviation from this without much explanation. Lastly, Rebecca Ferguson's character is a very thin plot device used to reunite him with his son, and it feels a bit silly during their intimate scene.

Overall, I’m giving it a 3.5/5.
I think some fans will like it, but true diehards might scratch their heads at some of the plot decisions made before they turn this franchise over to Barry Keoghan for seasons 7 & 8.



Great review Elle, mirrors some of the feedback I’ve had from friends who have watched it. I share the assessment that a 2 hour film lacks the bandwidth for necessarily rich character development, plot context & measured pace. It’s a real challenge for any Director. Look forward to catching it soon. Press play, Flat Cap on and a cup of tea; followed by a whisky or 3 😂